03.09. - 01.10.2020
Welcome to my zoo
A research focus of the exhibition are intermingled and mythical creatures, that in their surrealistic appearance are as unprecedented as they are forward-looking. The researcher, Maria Wirth, has long since proven that categorizations and classifications such as “female”, “male”, “hermaphrodite” are obsolete and outdated and, with the creation of her own species, opens up perspectives for intersex communication and multiphonic interactions that in their real dimension and impact cannot yet be recorded today. Based on ancient notions of body and soul and their timeless metaphorics, the beings and companions created by the artist follow an aesthetic beyond anthropocentric conventions and address the question of their legitimation. What begins as a confrontation with distorted, overstretched, fragmented, sometimes absurd body shapes and poses leads behind the facade of cultivated human and domesticated animal life and on this way to the fundamental question of naturalness, beauty and reality.
Maria Wirth is now opening her treasure chambers and laboratories, her greenhouses and aviaries exclusively for you. Marvelling and surprises are guaranteed.
30.07. - 27.08.2020
Berlin: ein Kind, das noch im Traum lacht - Frauke Bohge
“An hour is not just an hour; it is a vessel filled with scents, tones, plans and climates. What we call reality is a certain relationship between sensations and memories.”
For Frauke Bohge, time and memory form a central field of inspiration in terms of content and form. Her landscapes and cityscapes reveal her sense for the interweaving of space- and time dimensions, her sense for the meaning of places as carriers of memories. After all, it is above all striking places that - as remembered or real - preserve what lies behind us or will one day lie. The exhibition (English title "Berlin: a child who still laughs in dreams") juxtaposes a selection of cityscapes with works from Frauke Bohge's current series on the subject of childhood. In painting and textile collage, she takes up the question of the possibility of returning to a past (lost?) time of our Selves. What is it that lies behind us as a past or childhood? And what does this childhood mean that we see as adults in young faces? Answering these questions would be a journey to the beginnings of the individual personality.
>> More information about Frauke Bohge and her contribution to feinart berlin's "Corona Intra Views"
25.06. - 23.07.2020
Setzen Sie sich! - Siegfried Kober
The exhibition brings together objects by Siegfried Kober (*1951) belonging to three work series that are very different in terms of their material and form. With their rugged, broken surface and archaic expression, Kober's wooden figures counteract the ideal of beauty of ancient sculpture and at the same time revitalize two primal motifs of ancient mythology: the emergence of the human face from nature and the creative but also destructive power lying in the hand of man. In contrast to this, the wire objects are light, penetrated by the background. These wire meshes stand in the room like drawings that have been transformed into bodies, flickering, and both attracting the eye and letting it run into empty space. In addition, Kober's graphic works on canvas appear like silhouettes, counterparts of his objects placed on the surface. The unmistakable ability of the sculptor to work with lines and contours in and on the room is particularly evident where the outlines of the wild boars and bulls have been carved into monochrome, black or white surfaces.
Corona Intra Views
21.05. - 19.06.2020
The exhibition brings together seventeen artists of very different origins, careers, phases of life, questions and working styles. The central theme of the exhibition is on the one hand the corona pandemic: an existential, exceptional global situation in life and work, which entails and entailed for artists as well as for everybody else both connecting and individually differentiated experiences. However, this only applies in a very broad sense, because what makes this artistic encounter even more visible is the artist's sensorium for the meanings between the lines, for the free spirit, the wit as well as for the detail and the critical view from a distance.
The extra: CORONA INTRA VIEWS ONLINE - prospects & insights into the thoughts and experiences of the participating artists in the horizon of Corona on our website >> Read Corona Intra Views
Unweit Jenseits - C.D. Aschaffenburg
16.02. - 19.03.2020
The exhibition focuses on paintings by C.D. Aschaffenburg that show him as a wanderer between the worlds, a compositeur of dynamic pictorial spaces. Landscapes, imposing interior designs and sometimes magical figure scenes intertwine, so that utopian places bordering on the uncanny and the otherwordly evolve. The power of the motifs lives on a special picture atmosphere: the impression of hidden but meaningful connections, the promise of a deeper secret, but also the appearance of a departure and consciousness behind the abyss. Born in 1953, C.D. Aschaffenburg not only gained a reputation as a painter but also as a film producer and director in the experimental film field. At the opening reception his short film "Krause, oder ein beschriebener Film ist halt wie ein erzähltes Mittagessen" from 1988 will be shown.
>> Visit website of the artist
Corporeality, in its diversity of expressive values and types, as well as its sensitivity to any deformation, is a leading source of works that Maria Wirth presents in the exhibition. They show bodies and figurative constellations that are fragmented, caught in alien postures, sometimes naked and distorted, posing or dancing, and always fragile. What connects the works in their content, are their hermetic references to motifs from ancient mythologies and philosophical discourses that are interested in all faces of passion, the search for the self and the zones of indeterminacy existence has.
The German philosopher Hermann Schmitz said that art is "the result of an encounter of the body with the feelings". In this sense, the figures set in powerful color spaces are seen as visible counterparts of realities of the emotional and thought-life. Here corporeality proves to be something permeated by the mind and the emotional life, and on the contrary, spirit and feeling show themselves as something that does not exist without corporeality.
We present six positions of the genre "Portrait" that in their technique and content approach are very different. Each of the artistic positions for itself and, even more, the juxtaposition of their differences and similarities give insights into the magic and the intimate intuition for the Other that characterizes artistic portraits.
By portrait, we mean the representation of a person with the special claim of using artistic means to capture something essential of that person. The Latin word origin protrahere (pull-out) recalls how closely linked it is to a process of discovery and disclosure. It is about the exploration and visualization of the character, the personality and also the history of the person to be portrayed. At the same time, every portrait always reflects its originator, for its vision and expressive language are what illuminates the model.
The path to a successful portrait is a dialogue with the counterpart, leaded by the artist's gaze, his observation and his empathy. While on the one hand it testifies the artist’s fine sensorium for realistic reproduction, the portrait transcends it at the same time: toward what we call the "inner," the "essence" of a human being.
The 6 artists
Sara Assadi - painting and object frames | Jan Beumelburg - painting, drawing and etching | Frank Jerke - photography | Hamid Sadighi Neiriz - staged photography | Ilona Ottenbreit - painting and drawing | Boriana Pertchinska - painting and transformation on wood and jute
Figures as Ornaments: bodies that become ornament-like formations, ornamental structures that grow into expressive bodies - animals, humans, intermediate beings. A changing between line, form and a world of figures metaphysically with metaphysical drive.
The exhibition is based on a series of works by the artist Maria Wirth (* 1987 Berlin), which since 2018 has been characterized by the deconstruction and formal distortion of the human and, again and again, animal body in communication with rhythms of ornamental or abstract organic forms. The series is about the moment in which line and form turn into suggestions of movement, impressions of feeling and also synaesthetic characters: it is about becoming Gestalt (form) and dissolution of it. From a philosophical perspective, the workseries is a critical reflection on the unity and consistency of identity and meaning.
As a guest artist we welcome the Iranian Mohsen Tighbakhsh alias Tiba (* 1968 Tehran). His painting grounds are hand-woven carpets mainly from Iran but also from other countries such as Turkey, Greece and North Africa. They bear witness to ancient life forms and, depending on their origin, have special colors, structures, materials and age. Under Tiba's hands, also a master of weaving techniques and virtuoso tattoo artist, spiral-contoured figures emerge on these rare rugs, breaking through the rough, haptic character of the background with colorful radiance and lightness of form. Each motif finds its balance in a combination of figuration and abstraction.
Twilight. With the twilight everything visible is submerged in an eerie ambiguity. This transition from day to night, which makes our perceptions insecure, involves a peculiar magic and the capacity to set our imagination in motion.
The exhibition brings together works by Dana Bennewitz and Jan Beumelburg, in which the concept of "twilight" is reflected in its very different meanings. We encounter the mysterious ambivalence of dreams and ancient myths, disputes with the "unconscious" and witty solutions for a balancing act between reality and imagination.
Ideas of mystery and magic have always accompanied human societies. However, do we no longer need them today, today, in a world of economic fixation, rationalization and effectiveness? That's one of the questions this exhibition can give us.
UnMaking Characters. Since modern times, the question of the "I" has been the point of departure for the success of one's life - We are made and we are making characters.
In this exhibition, Sara Assadi (Iran), Maria Wirth (Germany) and Marek Benczewski (Poland) are inspired by the meaning complexity of the English word character to reflect contemporary ideas and experiences of the self through artistic means. The self as a "character" is personality, is an individual psyche, is expression, is imperative. It is a process that is both made and self-creating.
To make this visible, the three artists experiment with "UnMaking," that is, the deconstruction of characters. The content of her work arises from the dissolution, the unbundling of clear roles, forms and ideas.
Surreal Gardens between Baku and Berlin - for the first time, Günay Shamsi, Azerbaijan, and Maria Wirth, Germany, are presenting their paintings and objects together in an exhibition. In their own individual way, they transfer surrealistic painting principles and motifs into a new, lively and experimental field of young post-postmodern art creation.
The multi-facetted, sensitive and discursive worlds of ideas, which are made visible in the works of art by Günay Shamsi and Maria Wirth, are also combined in this exhibition into an overall aesthetic composition: a surreal garden that invites visitors to wander through and think through.